God forgive me, I interviewed Christian Louboutin while wearing a pair of trainers. Not fancy sci-fi ones either, but properly old and grimy ones. Louboutin is one of the most popular shoe designers on the planet and officially by far the most prestigious, according to independent ratings company Luxury Institute, which contains named Christian Louboutin as the most desirable shoe brand on earth within the last 36 months. He or she is even the man that is credited, or blamed, for bringing the stiletto back to fashion. So wearing trainers to fulfill him is a touch like suggesting to Jamie Oliver that people meet at McDonald’s for lunch.
Then again – whaddyaknow – christian louboutins sydney turns approximately his tiny and stiletto-filled office wearing trainers himself. (Although where mine say Converse, his say, in a discreet logo in the side, Christian Louboutin, which, presumably, would come in handy should he forget his name.)
“I glance at the face first. And whenever I look at the face, I attempt to see the personality and, from that, guess what type of shoes this girl would have.”
Perhaps he was only tired. He had flown because morning from Dubai where he is about to open his 20th boutique – with another 13 planned this season – and failed to sleep around the plane “whatsoever”. As soon as he warms up and that we turn the conversation clear of strict business chat, he is excellent fun, making dry remarks and after that smiling quietly afterwards. At some time I find out if, having shod just about every celebrity on the planet, from Madonna to France’s first lady Carla Bruni, there is certainly anyone left he’d like being a customer. His eyes skirt throughout the office, settling at last on a set of particularly high black stilettos, studded all-around with silver spikes. He turns back and replies, po-faced, “The Queen of England.”
For a long period, perfume sales powered the fashion world. It became jeans. Now, more than ever before, it’s shoes and bags, which is no coincidence that Louboutin arrived within the 90s when this switch began. He, Manolo Blahnik and Jimmy Choo’s Tamara Mellon would be the Holy Trinity of your luxury footwear market, having helped turn shoes from something you set on the feet to avoid splinters into fetish objects for females. Louboutin is now on top of that triangle.
Where Manolo Blahnik shoes are either plain or quirky, and Jimmy Choos hold the distinct sheen of Eurotrash for them, Christian Louboutin shoes say one particular word: se-x. Everything about them – from the disco styles, for the aggressive thrust of the shoe’s curvature, for the almost por-nographic red sole, flashing observers from behind as being the lady walks away – shouts se-x.
Seemingly every celebrity within the paparazzi sun, from Lady Gaga to Victoria Beckham, has proclaimed their love of the person. But Louboutin himself proves to obtain remarkably little fascination with the international celebrity scene. Was he starstruck when, say, Madonna was photographed wearing his shoes? No, he wasn’t. But he had been a little excited when he learned that this first Mrs Johnny Hallyday was really a fan – “Hallyday is an important singer in France, you know.”
Louboutin also recently received the very best honour a shoe designer can receive these days: his shoes are to be featured inside the new S-ex Along With The City film. This is not only a major plug, but a potentially controversial one, as Manolo Blahnik shoes were this sort of mainstay in the TV series that this term “Manolos” entered the lexicon. But is louboutins melbourne excited?
He even refused to be on the Oprah Winfrey Show when she did an entire episode about how precisely much she loves his shoes, which happens to be as near as you can reach being knighted in the us. “They filmed the 1st portion of the show in Paris and got me to stand outside from the cold – so of course I got sick,” he says, still outraged by the cheek of this. “So when they said, ‘Come to Chicago’ [where Winfrey films her show], I said, ‘Are you crazy? I’m sick, my God!'”
Instead, Louboutin prefers his hobbies: landscaping (there are often plant information on his shoes), trapeze (they have a swing in his studio) and, occasionally, dancing. He recently crafted a film of himself tap dancing for Simon Fuller’s fashion website, Fashionair, and that is a vision of unselfconscious joy (and, yes, he made these shoes).
He has been redesigning his Paris apartment for five years. “It’s not really that I’m a perfectionist,” he says, before launching right into a seven-minute anecdote about how precisely he’s made the builders redo the windows 3 times to find the angles right.
First and foremost, he works: supervising the factories, having meetings worldwide after which, every six months, he will isolate himself in just one of his four country houses (Egypt, Syria, France, Portugal) when he designs the new collections.
Whenever we meet it’s the very first day of Paris fashion week, a prospect that is not going to suffuse his face with joy. “I never was interested in being part of the style world – I just desired to design shoes. I didn’t have any idea Vogue existed when I was being raised. Vogue, what is that?” he protests.
Not long ago, Louboutin was offered the work of designer at a major fashion label, though he won’t say what one. “And I Also really was almost offended,” he says, still sounding it. “I am talking about, the shoe – there is a music to it, there is attitude, there is sound, it’s a movement. Clothes – it’s an alternative story. There is a million things I’d rather do before designing clothes: directing, landscaping. Designing clothes?” His face indicates his opinion of that particular.
Louboutin was created in 1963 and raised in Paris. His father was really a carpenter along with his mother was “definitely not” a very high heel fan. His four sisters liked “cork wedges”, he remembers, without having fondness. “Virtually the contrary of the I really do now.”
Yet his taste was established in the childhood. When Louboutin was 13, he along with his friends would sneak out from school to visit Le Palace, a Paris nightclub, but while his mates checked out the women on stage, he just investigated their shoes. “A number of the shoes I make today will still be inspired through the Palace – the disco look, the metal, the glitter.”
He never went along to fashion or design school and instead got his training employed by, and the like, Charles Jourdan, Chanel and Yves Saint Laurent. However, he had an unfortunate tendency to get fired: “It’s because I found myself a horrible assistant. An assistant is supposed to assist – I always aspired to do my own, personal thing.”
He is adamant that he or she never had any career plan or ambition to own his company, that i don’t wholly buy. It is very hard to reach your goals without wanting it very badly, especially in the fashion business, and Louboutin, for all those his Gallic nonchalance, does have fun playing the game. He once made a decision to miss a flight to Paris from America so he could spend two more hours in a department shop autographing his shoes. “To my favourite hot housewife,” Time magazine 06dexipky he scrawled in one customer’s shoe.
Today, Louboutin shoes are recognized for 2 things: price and height. A pair of Louboutin high heels can easily cost $700 (£465); boots will go around $2,000 (£1,325) and more. Nor are his really the only ones: all designer shoes have increased in price by at least 50% in the last decade, which Louboutin blames in the euro – “Everything got higher priced, even bread” – instead of designers simply jacking the prices after they realised individuals were willing to pay them.
In addition to being from the vanguard of higher prices, australia louboutin shoes is additionally the main thing on higher heels, bringing stilettos back in fashion, together because of the contradictions that come with them. Jennifer Lopez once told Harper’s Bazaar magazine that Louboutin’s shoes “kill you. But they’re the se-xiest shoes around.” Just how can immobility be se-xy?
At this moment Louboutin starts speaking about “the construction of the shoe” and “the direction from the weight” and the normal noises people make when attempting to assert that a high-heeled shoe can be comfortable. But the reality is, no matter what the construction, the girl is hoicked up on her toes. The argument about whether or not high heels empower women is fruitless and, in fact now, a little bit tired. But even Louboutin seems stumped through the contradiction. As I find out if comfort is a crucial consider designing his shoes, he ums and ahs a tad: “It is crucial since a woman doesn’t look nice if she’s not comfortable. However I wouldn’t carry it like a compliment if a person looked at one of my shoes and said, ‘Oh, seems similar to a comfortable shoe’,” he says with distinct scorn. When asked if there is such a thing like a too-high heel, he replies, “There is a heel which is way too high to walk in, certainly. But who cares? You don’t need to walk in high heel shoes.”